RON HENGGELER

February 24, 2008
Snapshots around town

San Francisco was the birthplace of the United Nations
There was considerable sentiment to keep the U.N. in San Francisco, where it began, but it was moved to New York City because many European nations believed San Francisco was too far to travel. The opening sessions of the United Nations were held at the War Memorial Opera House at Van Ness Avenue and Grove Street in the Civic Center beginning in April 1945. High-level diplomats met at the Fairmont Hotel to discuss details of the peace-keeping organization. On June 26, 1945, during the waning days of World War II, representatives of 50 nations signed the U.N. charter next door to the Opera House at the Herbst Theatre. The United Nations Plaza at Market and Hyde Streets commemorates the event. The Fairmont Hotel flies the flags of each of the countries above its main entrance. The formal peace treaty between the United States and Japan was also signed at the War Memorial Opera House, in 1951. Respectfully taken from SAN FRANCISCO SECRETS by John Snyder 1999 Chronicle Books

The fountain, dedicated in 1924, was made possible with a $10,000 gift from Corrine Rideout. Corrine Rideout was the widow of banker Norman Rideout. Mr. Rideout came from Maine to Oroville, California and opened a bank. He successfully opened five more in the central valley of California. After his death in 1907 his widow sold them to A.P. Giannini, founder of the Bank of Italy later to become the Bank of America.

The cast stone pool was designed by architect Herbert A. Schmidt. The statue is by M. Earl Cummings. The original intention was for the statue to be of bronze, but the budget did not allow it.

The Laocoon at the Legion of Honor

Laocoön and His Sons

This copy of the statue stands outside on the grounds of San Francisco's
Palace of the Legion of Honor. I photographed it on January 11,2006, the day
Anne Moffet and I went to see the AFTER THE RUINS show.

Laocoön and His Sons
Athanadoros, Hagesandros, and Polydoros of Rhodes
early 1st century

One of the major discoveries of the Italian Renaissance, this sculptural grouping was lost for centuries but found in 1506 near Rome, by a farmer plowing a field in the ruins of Titus' palace. It depicts an event in
Vergil's Aeneid (Book 2). Michelangelo (1475-1564) had been in Rome twice, (1505-06) to start work on the Tomb of Pope Julius II; on that visit he and the pope, upon hearing the news of the Laocoön discovery, rode by horseback through the countyside of Rome, to witness the unearthing of the ancient Laocoön Group. Realizing that the sculpture was indeed the long lost famous Laocoön, it was mounted on a special wagon and brought back into Rome with a traditional hero¹s welcome. Along with the city turning out for the 'ticker
tape parade',there were three days of citywide celebrations.

Laocoön in Greek Mythology

Laocoön was an intriguing character in Greek mythology. He played a small but significant role in the notorious Trojan War, and his memorable contributions to myth were celebrated in this famous Hellenistic statue. Read on to learn more about this legendary figure.

According to ancient authors, Laocoön was a blind Trojan priest of Poseidon (note, however, that some sources claim that he was instead one of Apollo's priests). In mythology, Laocoön was the brother of the hero Anchises and son of Capys. One of our best sources for the story of Laocoön is found in Virgil's Aeneid. In this epic tale, the Roman poet Virgil describes the dramatic scene in which the Trojans discover an enormous Wooden Horse standing outside the city of Troy. The prescient priest Laocoön warns against bringing the gigantic Horse into Troy in a famous speech:

"'O my poor people,
Men of Troy, what madness has come over you?
Can you believe the enemy truly gone?
A gift from the Danaans, and no ruse?
Is that Ulysses' way, as you have known him?
Achaeans must be hiding in this timber,
Or it was built to butt against our walls,
Peer over them into our houses, pelt
The city from the sky. Some crookedness
Is in this thing. Have no faith in the horse!
Whatever it is, even when Greeks bring gifts
I fear them, gifts and all.'"
(Virgil, The Aeneid, Book II, 59-70)

Immediately after saying these words, Virgil has Laocoön hurl his spear into the flank of the Wooden Horse. However, this gesture was to come back to haunt Laocoön. For soon after this incident, while the priest is sacrificing to his god Poseidon, a pair of giant sea serpents emerge from the sea and envelope both Laocoön and his two sons (this tragic scene is immortalized in the Hellenistic image). The Trojans interpret this grotesque punishment as a sign that Laocoön offended the gods - either Athena or Poseidon in particular - for attacking the Wooden Horse. In the end, the Horse is brought into Troy, which is a fatal mistake and seals the city's doom.

Fisherman's Wharf

The F-Line on the Embarcadero

The Buddha in the Japanese tea Garden in Golden Gate Park

A doorway in Jackson Square near North Beach

Alcatraz seen with a 300mm lens from Treasure Island

 

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