RON HENGGELER |
Morning sunlight in the round room at home |
Upcoming events for the 50th Anniversary of the Summer of Lovehttp://summerof.lovehttp://www.50thsummeroflove.com |
The morning sunlight in the round room |
Be sure to wear flowers in your hair in San Francisco as the city celebrates the 50th anniversary of Summer of Love. The counterculture movement changed rock ‘n’ roll, Haight-Ashbury and more. But despite its name, the phenomenon was not contained to just one season in 1967. Discover – or rediscover – this radical era in Bay Area and American history with The Chronicle.http://www.sfchronicle.com/summer-of-love/ |
The Summer of Love Experience: Art, Fashion, and Rock & Roll
|
In the mid-1960s, artists, activists, writers, and musicians converged on Haight-Ashbury with hopes of creating a new social paradigm. By 1967, the neighborhood would attract as many as 100,000 young people from all over the nation. The neighborhood became ground zero for their activities, and nearby Golden Gate Park their playground. |
The period is marked by groundbreaking developments in art, fashion, music, and politics. Local bands such as Jefferson Airplane and the Grateful Dead were the progenitors of what would become known as the “San Francisco Sound,” music that found its visual counterpart in creative industries that sprang up throughout the region. Rock-poster artists such as Rick Griffin, Alton Kelley, Victor Moscoso, Stanley Mouse, and Wes Wilson generated an exciting array of distinctive works featuring distorted hand-lettering and vibrating colors, while wildly creative light shows, such as those by Bill Ham and Ben Van Meter, served as expressions of the new psychedelic impulse. |
Distinctive codes of dress also set members of the Bay Area counterculture apart from mainstream America. Local designers began to create fantastic looks using a range of techniques and materials, including leatherwork, hand-painting, knitting and crotchet, embroidery, repurposed denim, and tie-dye. These innovators included Birgitta Bjerke, aka 100% Birgitta; Mickey McGowan, aka the Apple Cobbler; Burray Olson; and Jeanne Rose. |
It began with a simple four-letter word
|
The Summer of Love Experience: Art, Fashion, and Rock & Roll commemorates an “only in San Francisco” social and aesthetic movement, and will remind museum visitors that in a time of international upheaval, the city played a vital role in changing society and amplifying the pulse of the nation.https://deyoung.famsf.org/summer-love-art-fashion-and-rock-roll |
2017 marks the 50th Anniversary of the Summer of Love, when nearly 100,000 young people travelled to San Francisco and changed the world. |
Snore, 1960by Bruce Conner |
Humbead's Map of the Worldby Earl Crabb and Rick Schubb |
On this day 50 years ago, the words “Summer of Love” first appeared in the San Francisco Chronicle carrying the term into the “mainstream media” in San Francisco and around the country (“Good Hippies’ Summer Plans” was the headline for the article on page 3 of the paper).April 6, 2017
|
Ken Kesey talks about the meaning of the Acid Testshttp://www.openculture.com/2013/01/ken_kesey_talks_about_the_meaning_of_the_acid_tests_in_a_classic_interview.html |
Rainbow Jumpsuit for Wavy Gravy (early 1970's) |
FURTHER, the Merry Pranksters' Bus, 1966 Photo by Ted StreshinskyIt began with Ken Kesey, the Merry Pranksters and their bus “Furthur”, Jack Kerouac, Allen Ginsberg, Lawrence Ferlinghetti and the Beat Generation. They gathered in places like North Beach, Haight Ashbury, and in cities like Palo Alto, Berkeley, Seattle, Portland, New York and L.A. These pockets of counter-cultural, anti-establishment individuals questioned authority and their surroundings while searching for the real meaning of life and deeper truths. These small communities of like-minded individuals and their “families” of communal creativity focused on poetry, art, folk music, jazz, and rock ’n roll, demanding to be free of societal restrictions, restraints and hang-ups.http://www.50thsummeroflove.com |
"Can You Pass the Acid Test" 1965by Paul Foster |
Trips? 1966 |
"Can You Pass the Acid Test" 1966by Wes Wilson |
Mandala, cover of Trips Festival program, 1966by Bruce Conner
|
Soundboard mixer Ken Babbs and crowd in background, Longshoremen's Hall, January 21, 1966photo by Gene AnthonyThe Trips Festival staged in January 1966 at the Longshoresmen's Hall on Beach Street near Fisherman's Wharf--a cavernous space that could accommodate more than three thousand people---ran for three consecutive days. Gene Anthony's photographs conjure the dynamism and intensity of the spectacle, with airborne experimental performers, a bulky sound-light console installed on a tower in the middle of the hall, and a dizzying mix of projections and liquid light and slide shows flashing over the crowd and covering every available surface. |
Wide-angle view of center stage and crowd, Trips Festival at Longshoremen's Hall, January 21, 1966photo by Gene Anthony |
Man with arms spread open being lifted up, Trips Festival at Longshoremen's Hall, January 21, 1966photo by Gene Anthony |
San Francisco sung by Scott McKenziehttps://www.youtube.com/watch?v=7I0vkKy504U |
WE WERE EVERYWHERE! The pureness of thought exploded exponentially and there were now millions of us. This event, this historical moment, which included most of 1967, became known as:
|
SUMMER OF LOVE PROCLAMATION
|
The message was clear – the world was uniting behind one principle and one thought
|
During this period the Peace Movement was born, with the “Human Be-In” in San Francisco and then the “Love-Ins” in New York. Anti-war demonstrations everywhere and college campuses erupted with thousands of people protesting the draft. The American Indians took Alcatraz, the Black Panthers took Sacramento and the Brown movement demanded social change. Even the Olympic athletes stood up with fist raised to show solidarity with the winds of change. This startled our government, a president was impeached and a war was stopped. An entire generation stood up and shouted: HELL NO, WE WON’T GO!During this period change was occurring on multiple levels, giving birth to a variety of social movements:
http://www.50thsummeroflove.com/index.php/press/proc |
In the midst of this freethinking environment a renaissance of gifted geniuses emerged with the likes of
|
San Francisco sung by Scott McKenzie at the Monterary Pop Festival in 1967https://www.youtube.com/watch?v=bch1_Ep5M1s"San Francisco (Be Sure to Wear Flowers in Your Hair)" is a song, written by John Phillips of The Mamas & the Papas, and sung by Scott McKenzie. It was written and released in June 1967 to promote the Monterey Pop Festival. McKenzie's song became an instant hit. The lyrics tell the listeners, "If you're going to San Francisco, be sure to wear some flowers in your hair". Due to the difference between the lyrics and the actual title, the title is often quoted as "San Francisco (Be Sure to Wear Some Flowers in Your Hair)". "San Francisco" reached number four on the Billboard Hot 100 in the United States, and was number one in the United Kingdom and most of Europe. The single is purported to have sold over 5 million copies worldwide. The song is credited with bringing thousands of young people to San Francisco, California during the late 1960s. In Central Europe, young people adopted "San Francisco" as an anthem for freedom, and it was widely played during Czechoslovakia's 1968 Prague Spring uprising against Soviet rule. |
California Dreamin' - The Mamas & The Papashttps://www.youtube.com/watch?v=N-aK6JnyFmk |
People of like mind came together and began living communally, as this was the best way to focus on what was important, creating an Alternate Reality. A reality based on that particular long view, the landscape of Cosmic Consciousness perceived ever so clearly, through mind-expansion psychic energizers – organic, of course.February 7, 2017
|
Grace Slick and Janis Joplin |
The Grateful Dead1967 |
In the summer of 1967, the perfect storm of the Sixties revolution was beginning to rumble. The escalation of the Vietnam War and the resistance to the draft, combined with the black power movement and the psychedelic-fueled counterculture, would soon cause a nation-wide spontaneous combustion.April 15, 2017
|
This period of change is commemorated by celebrating the SUMMER OF LOVEIt Stands For:
http://www.50thsummeroflove.com/index.php/press/proc |
Ron Henggeler in Colorado 1969 or 1970 |
Ron Henggeler in Colorado 1969 or 1970 |
Ron Henggeler in Colorado 1969 or 1970 |
Ron Henggeler in Colorado 1969 or 1970 |
Ron Henggeler in Colorado 1969 or 1970 |
Ron Henggeler in Arkansas 1971 |
My tipi in Arkansas 1971 |
© 2017 All rights reserved
The images are not in the public domain. They are the sole property of the
artist and may not be reproduced on the Internet, sold, altered, enhanced,
modified by artificial, digital or computer imaging or in any other form
without the express written permission of the artist. Non-watermarked copies of photographs on this site can be purchased by contacting Ron.